Read e-book online Anthropology and Antihumanism in Imperial Germany PDF

By Andrew Zimmerman

ISBN-10: 0226983412

ISBN-13: 9780226983417

ISBN-10: 0226983420

ISBN-13: 9780226983424

With the increase of imperialism, the centuries-old eu culture of humanist scholarship because the key to figuring out the realm was once jeopardized. Nowhere was once this truer than in nineteenth-century Germany. It was once there, Andrew Zimmerman argues, that the conflict strains of modern ''culture wars'' have been first drawn whilst anthropology challenged humanism as a foundation for human clinical wisdom. Drawing on resources starting from medical papers and govt correspondence to pictures, pamphlets, and police experiences of ''freak shows,'' Zimmerman demonstrates how German imperialism opened the door to antihumanism. As Germans interacted extra often with peoples and items from far-flung cultures, they have been compelled to reevaluate not only these peoples, but additionally the development of German id itself. Anthropologists effectively argued that their self-discipline addressed those matters extra productively—and extra accessibly—than humanistic reviews. students of anthropology, ecu and highbrow historical past, museum stories, the background of technological know-how, pop culture, and colonial experiences will welcome this publication.

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25 For Meyer, the historicity of a society had less to do with a lack of writing than with what he perceived to be a lack of individuality. 26 Both Karl Lamprecht and Wilhelm Wundt, for example, distinguished their own studies of culture from the study of people supposedly without culture. Thus, Karl Lamprecht regarded his own cultural history as fundamentally different from anthropology because anthropology dealt with the “primitive factors” of humanity as exhibited by people without history, while cultural history dealt with the “development of regular, national life” in its highest cultural institutions, such as art, law, and morality.

Like most performers, Bell appeared in public wearing what was regarded as authentic Duala clothing. However, like many of his colleagues, he refused to allow Luschan to photograph him in this costume. 8 (left) Anthropological portrait of Mschúngo, a performer from the Masai group at the 1896 Berlin Colonial Exhibition. Mschúngo wears some of his performance accessories but has evidently refused to remove his European-style jacket for the photograph. , Deutschland und seine Kolonien im Jahre 1896 (Berlin: Dietrich Reimer, 1897).

Like so many European and non-European explorers, they had gambled their health and safety in a strange country and had lost. 33 Despite the tensions with these foreign travelers, anthropologists were thus able to integrate them into their own discipline. Like anthropologists and impresarios, performers could make clever use of their stage personae, even when those personae were imposed on them by European managers. For example, in 1886, Carl Hagenbeck sponsored a show of Duala from Cameroon, some of whom had served aboard the German navy ship HMS Bismarck.

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Anthropology and Antihumanism in Imperial Germany by Andrew Zimmerman

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