By Andrew Zimmerman
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Extra resources for Anthropology and Antihumanism in Imperial Germany
25 For Meyer, the historicity of a society had less to do with a lack of writing than with what he perceived to be a lack of individuality. 26 Both Karl Lamprecht and Wilhelm Wundt, for example, distinguished their own studies of culture from the study of people supposedly without culture. Thus, Karl Lamprecht regarded his own cultural history as fundamentally different from anthropology because anthropology dealt with the “primitive factors” of humanity as exhibited by people without history, while cultural history dealt with the “development of regular, national life” in its highest cultural institutions, such as art, law, and morality.
Like most performers, Bell appeared in public wearing what was regarded as authentic Duala clothing. However, like many of his colleagues, he refused to allow Luschan to photograph him in this costume. 8 (left) Anthropological portrait of Mschúngo, a performer from the Masai group at the 1896 Berlin Colonial Exhibition. Mschúngo wears some of his performance accessories but has evidently refused to remove his European-style jacket for the photograph. , Deutschland und seine Kolonien im Jahre 1896 (Berlin: Dietrich Reimer, 1897).
Like so many European and non-European explorers, they had gambled their health and safety in a strange country and had lost. 33 Despite the tensions with these foreign travelers, anthropologists were thus able to integrate them into their own discipline. Like anthropologists and impresarios, performers could make clever use of their stage personae, even when those personae were imposed on them by European managers. For example, in 1886, Carl Hagenbeck sponsored a show of Duala from Cameroon, some of whom had served aboard the German navy ship HMS Bismarck.
Anthropology and Antihumanism in Imperial Germany by Andrew Zimmerman