By Barbara Abercrombie
During this selection of anecdotes, classes, prices, and activates, writer and writing instructor Barbara Abercrombie presents a delightfully diversified cornucopia of proposal — nuts-and-bolts recommendations, hand-holding commiseration, and epiphany-fueling insights from fellow writers, together with Nobel and Pulitzer Prize winners and Abercrombie’s scholars who've long gone from paralyzed to released.
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Extra info for A Year of Writing Dangerously: 365 Days of Inspiration and Encouragement
Unless, however, you happen to be a large ﬁsh in a large pond, it is diﬃcult to enjoy all of the potential advantages of authorship at the same time: often there is a trade-oﬀ between economies of scale, on the one hand, and specialist handling on the other. Along with size, the other key variable between publishers is provenance. In academia, many people draw a distinction between notfor-proﬁt publishers (university presses, say, or learned societies) and commercial presses (whether owned privately or publicly).
That fact itself, however, tells us what we need to know. Many publishers in the sector have revenues of less than million, placing them ﬁrmly at the ‘small’ end of the ‘small and medium enterprise’ (SME) category. Ashgate, for example, is a successful, well-known, transatlantic publisher of monographs, yet the most recent set of accounts indicate a revenue (for ) of just over million. Large publishing companies are able to take advantage of economies of scale, which in the publishing industry may be considerable.
Falmer was taken over by Routledge. Authors under contract to Falmer began to ﬁnd their books being published under a new imprint, called RoutledgeFalmer. And, as noted above, Routledge was in due course acquired by Taylor & Francis, who were in turn acquired by Informa. Now consider the situation of an education studies author who had decided to publish not with Falmer but with, say, David Fulton or Kogan Page. Kogan Page sold its education list to Routledge. David Fulton, meanwhile, was acquired by Granada, which in due course sold it on to … well, strangely enough, to Routledge.
A Year of Writing Dangerously: 365 Days of Inspiration and Encouragement by Barbara Abercrombie