By Calvin S. Hall
Culled from 40 years of writing through the founding father of psychoanalysis, A Primer Of Freudian Psychology introduces Freud's theories at the dynamics and improvement of the human brain. corridor additionally presents a short biography of Sigmund Freud and examines how he arrived at his groundbreaking conclusions. In discussing the weather that shape character, the writer explains the pioneer thinker's rules on security mechanisms, the channeling of instinctual drives, and the position of intercourse in female and male maturation. Lucid, illuminating, and instructive, this is often a big booklet for all who search to appreciate human habit, in themselves and others.
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Additional resources for A Primer of Freudian Psychology
Again, I do not wish to give you the impression that what I write is literature; but there is a desire for knowledge, distance, an interpretation that makes it so that it is a matter of a less bivalent, less mimetic and knowledgeable discourse. I am convinced that one of the lessons of the work done recently in the humanities in France-but perhaps there is a tradition of French work in this sphere-is the lesson that one cannot speak, interpret, or talk about what is human without being side by side with art-or without a certain compensation in the discourse of fiction-and yet, at the same time, detaching oneself from it.
So there is, then, to your mind, no way o[ one's rofe as artist and one's rofe as pofitieal aetivist ever being entire/y eoineidental? I think that the artist, since we were just talking about form that is "content," is never more engagethan in his wode To ask an artist to s'engager in order to justify himself is an imposture into which many anists fall for reasons I have just mentioned: the work presupposes a lot of solitude and a lot of risks. You need to justifY yourself; you need to identify yourself.
A complex dynamic is at play in the relation between text and the observer: a dynamic that can be described in psychoanalytic terms as countertransference. So ever since the early stages of my work I have realized that it was not necessary to mechanically apply models to the literary text, but that it was necessary to consider the literary text as another language, another type of diseourse. From this theoretieal coneeption of the literary text as another type of diseourse, I had to change the models of my approach and evenrually make use of linguistie models, but after modif}ring them, taking into aecount that the text is not the language of ordinary communication.
A Primer of Freudian Psychology by Calvin S. Hall