A Female Houdini: Popular Culture in Margaret Atwood's Lady by John Thieme PDF

By John Thieme

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Additional resources for A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle

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Their performances were, in fact, among the most spirited of all 257 performances on July 7, 2007. Old school rock ‘n’ roll as the new youth culture? Go figure. CONCLUSION: CULTIVATING A MUSICAL AND SOCIOLOGICAL IMAGINATION If we wish to understand the meanings of pop music and be critical of those cultural practices and values which result in the formation or recreation of cultural injustices, we need to follow an approach to the study of our subject matter which is interpretive and critical at the same time.

Yet, perennial favorites Madonna, the Police, Bon Jovi and Melissa Etheridge—artists whom the parents of the youngest audience members made famous years ago—were presented as headliners. Their performances were, in fact, among the most spirited of all 257 performances on July 7, 2007. Old school rock ‘n’ roll as the new youth culture? Go figure. CONCLUSION: CULTIVATING A MUSICAL AND SOCIOLOGICAL IMAGINATION If we wish to understand the meanings of pop music and be critical of those cultural practices and values which result in the formation or recreation of cultural injustices, we need to follow an approach to the study of our subject matter which is interpretive and critical at the same time.

After all, someone had to drive the kids to the studio or at least give them permission and money to take the bus there, just as someone had to provide the television and permit watching American Bandstand at home. Parents were and continue to be cautious supporters of their children’s popular music activities. There is more of a tendency among parents to manage popular music as though their teen-agers are children who need to be nurtured and protected, rather than adolescents who must be controlled, sanctioned, and feared.

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A Female Houdini: Popular Culture in Margaret Atwood's Lady Oracle by John Thieme


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