By John Galsworthy
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Additional resources for A Family Man: in Three Acts
Very distant] Ya−a−ah! Missed! BUILDER stands leaning out, face injected with blood, shaking his fist. The CURTAIN falls for a few seconds. SCENE III Evening the same day. BUILDER's study is dim and neglected−looking; the window is still open, though it has become night. A street lamp outside shines in, and the end of its rays fall on BUILDER asleep. He is sitting in a high chair at the fireside end of the writing−table, with his elbows on it, and his cheek resting on his hand. He is still unshaven, and his clothes unchanged.
Half conscious of him] What? JOURNALIST. Or will you trust me? BUILDER. I wouldn't trust you a yard. JOURNALIST. [At the door] Very well, sir; you shall have a proof, I promise. Good afternoon, and thank you. BUILDER. Here! But he is gone, and BUILDER is left staring at his brother, on whose face is still that look of whimsical commiseration. RALPH. Take a pull, old man! Have a hot bath and go to bed. BUILDER. They've chosen to drive me to extremes, now let them take the consequences. I don't care a kick what anybody thinks.
A Family Man: in Three Acts by John Galsworthy